![]() ![]() ![]() The best thing is to have a passe-partout put around the photo or print and to choose a nice frame, whether or not handmade. There are plenty of collectors who prefer this and find it much more beautiful.Ĭlassic frame Matting and framing art prints Classic framing art printsīut for smaller budgets and practical reasons such as easy shipping, you can also safely take your new print to the local framer. That is always possible, and I am always glad to take care of it. They are a patented Diasec company.Īlthough I do not sell my prints with a frame by default, collectors regularly ask me if I want to arrange this for them and have it done for them. I am lucky that a specialized company is about 45 minutes drive from where I live. You will need a company specialising in this, and you cannot find them everywhere. The disadvantage of all of the above methods is that you cannot have this done by most local framers. There are beautiful handmade frames for sale, made of very high-quality woods. This choice depends on your preference, taste and budget. You can have the framework of your choice placed around the whole of Dibond and Diasec. Framing a Dibond and Diasec mounted art printĭo you prefer a frame? That is also possible with this method. ![]() You can also choose a laminate from matte or gloss and everything in between. Often, I turned to a laminate layer because of the costs, and actually, this is also fine, especially in combination with a nice frame. I have no museum glass experience because it was always too pricey for me. At the same time, you do have depth and beautiful intense colours. It is as if you are looking directly at the paper, and there is nothing in front of it. Until I started to bother with the prints’ smooth appearance, I was ready for something different and discovered the lacklustre Diasec. I have often used it myself, and I always found it very beautiful, even with very dark photos. The disadvantage of gloss is the reflection, but this is fine if this does not bother you. Gloss is the cheapest option here, and museum-quality the most expensive. The diasec is available in different types such as gloss, matte and museum quality. The result is beautifully sleek and equipped with a professional hanging system it looks exquisite.ĭibond and Diasec mounted Different types of Diasec This layer creates depth and shine and provides beautiful and intense colours.īut what is even more important is that it protects the artwork against dust and dirt, especially against harmful UV light. It’s a patented method to conserve Fine Art prints for at least 100 years, so they say.ĭiasec is a fine layer of acrylic resin that a specialised company glues to the surface of your print. Diasec is usually the most beautiful, but a bit more expensive. You can protect the front of your print by using laminate or Diasec. ![]() Most sheet materials tend to warp over time, but Dibond always remains flat and straight. The material has a luxurious appearance, is lightweight but super sturdy. You can mount different kinds of Fine Art paper onto the Dibond, and it will retain all the properties like feel, tonality, colours etc. It consists of a compressed composite panel between two aluminium plates. For me, it’s my favourite way of presenting my work. What is Dibondĭibond mounting is widely used among photographers to exhibit their work in a way that is both rigid and light in weight. The only downside is that it can be pretty pricey, and it is irreversible. I always think this is a great way to present a photographic image. One archival framing art prints solution I would like to mention is to mount your print on Dibond and provide it with a protective layer at the front. To answer the question, I would like to give some tips in this blog post based on my own experience and preference. It all depends on the size, paper type and budget. People ask me how to handle their newly bought work of art best. I got many questions lately about framing art prints. ![]()
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